Dustin Lynch‘s “Thinking ‘Bout You,” featuring MacKenzie Porter, rises to No. 1 on Billboard‘s Country Airplay chart (dated Dec. 11). In the tracking week ending Dec. 5, the collaboration increased by 3% to 28.4 million audience impressions, according to MRC Data.

Lynch, who co-wrote the song with Andy Albert, Hunter Phelps and Will Weatherly, adds his eighth Country Airplay leader, while Porter achieves her first.

“It’s been really special to be able to share this ride to the top of the Billboard Country Airplay chart with MacKenzie,” says Lynch. “I am excited for this song to continue doing its thing and keep changing our lives!”

The track is from Lynch’s fourth LP, Tullahoma, which debuted at No. 4 on Top Country Albums in February 2020, marking his fourth top 10.

Lynch, from Tullahoma, Tenn., follows “Momma’s House,” which reached No. 5 on Country Airplay in April. He last led with “Ridin’ Roads” for a week in January 2020.  His additional six No. 1s: “Good Girl,” for a week in January 2019; “Small Town Boy” (four weeks, starting in September 2017); “Seein’ Red” (one week, February 2017); “Mind Reader” (one, June 2016); “Hell of a Night” (one, September 2015); and “Where It’s At (Yep, Yep)” (two weeks, September-October 2014).

Lynch achieved his first of 10 Country Airplay top 10s with his debut hit, the No. 2-peaking “Cowboys and Angels,” in 2012.

Porter, from Medicine Hat, Alberta, scores her first Country Airplay No. 1 in her second visit to the chart, after “These Days” reached No. 56 in August 2020.

On the airplay-, sales- and streaming-based Hot Country Songs survey, “Thinking” pushes 5-4 for a new best. It drew 6.4 million U.S. streams and sold 1,300 downloads in the Nov. 26-Dec. 2 tracking week.

A ‘WHISKEY’ TOAST Michael Ray nets his fourth Hot Country Songs top 10 as “Whiskey and Rain” climbs 12-10. The single drew 4.9 million U.S. streams, up 28%, in the tracking week, aided by prominent placement in Amazon Music’s Country Heat playlist. On Country Airplay, it holds at its No. 6 high, up 7% to 21.4 million impressions.

Ray last hit the Hot Country Songs top 10 with the No. 10-peaking “One That Got Away” in April 2019. His two additional top 10s: “Think a Little Less” (No. 3, 2017) and his debut hit “Kiss You in the Morning” (No. 10, 2015; it also topped Country Airplay).

ROAD TRIP Jimmie Allen and Brad Paisley‘s “Freedom Was a Highway” rides to the Country Airplay top 10 (11-10) 15.7 million, up 6%).

Allen, who won new artist of the year at the Country Music Association Awards Nov. 10, notches his third Country Airplay top 10, after the No. 1s “Make Me Want To,” which led the list dated March 7, 2020, and “Best Shot,” his first entry which dominated for three frames starting in November 2018.

Paisley banks his 35th Country Airplay top 10 and first since 2017, when “Today” peaked at No. 3 that March. He boasts the 11th-most top 10s since the chart launched in January 1990. Among all artists, George Strait leads with 61.

Tame Impala unveiled new song “No Choice” on Tuesday (Dec. 7) along with a slate of 2022 tour dates around the globe.

“It doesn’t matter if I want to go somewhere new/ At the end of the day, I have no choice/ It wouldn’t matter that I had to break it with you/ Going over it all, it brings no joy,” Kevin Parker sings on the track over a syncopated drum beat and atmospheric synths.

The track is set to be included on the upcoming deluxe box set edition of the psychedelic rocker’s 2020 album The Slow Rush, which promises to feature remixes and B-sides that didn’t make the original cut for the LP — including Lil Yachty‘s previously released remix of “Breathe Deeper” and pre-album one-off “Patience.” The box set will hit retailers and streaming platforms on Feb. 18 via Island Records Australia.

Meanwhile, Parker will hit the road with his touring band starting Feb. 27 with an appearance at Innings Festival in Tempe, Ariz. From there, Tame Impala will hit major metropolitan areas including Toronto, Brooklyn, Boston and Nashville throughout the spring before heading overseas to play Spain’s Primavera Sound Festival, London’s All Points East Festival and more. Tickets go on sale this Friday (Dec. 10) on the official Tame Impala website and Ticketmaster.

Stream “No Choice” and check out the full list of tour dates below.

Tame Impala 2022 Tour Dates

Feb. 27 — Tempe, AZ @ Innings Festival (Tempe Beach Park)
Mar. 3-6 — Okeechobee, FL @ Okeechobee Music & Arts Festival (Sunshine Grove)
Mar. 7 — Pittsburgh, PA @ Petersen Events Center
Mar. 9 — Toronto, ON @ Scotiabank Arena
Mar. 10 — Montreal, QC @ Place Bell
Mar. 12 — Uncasville, CT @ Mohegan Sun
Mar. 14 — Brooklyn, NY @ Barclays Center
Mar. 16 — Boston, MA @ TD Garden
Mar. 18 — Hampton, VA @ Hampton Coliseum
Mar. 19 — Philadelphia, PA @ Wells Fargo Center
Mar. 21 — Asheville, NC @ ExploreAsheville.com Arena
Mar. 22 — Asheville, NC @ ExploreAsheville.com Arena
Mar. 23 — Nashville, TN @ Bridgestone Arena
Mar. 25 — New Orleans, LA @ Buku Music + Art Project
May 22 — Gulf Shores, AL @ Hangout Music Festival
June 2 — Barcelona, Spain @ Primavera Sound Festival
June 9 — Porto, Portugal @ NOS Primavera Sound Festival
June 11 — Barcelona, Spain @ Primavera Sound Festival
Aug. 25 — London, England @ All Points East Festival
Aug. 27 — Paris, France @ Rock En Seine
Aug. 29 — Amsterdam, Netherlands @ AFAS Live
Aug. 30 — Amsterdam, Netherlands @ AFAS Live
Sept. 7 — Milan, Italy @ Ippodromo Snai San Siro
Oct. 15 — Auckland, New Zealand @ Spark Arena
Oct. 18 — Brisbane, Australia @ Brisbane Entertainment Centre
Oct. 20 — Sydney, Australia @ Qudos Bank Arena
Oct. 22 — Melbourne, Vancouver @ Rod Laver Arena
Oct. 26 — Adelaide, Australia @ Adelaide Entertainment Centre
Oct. 29 — Perth, Australia @ RAC Arena

Rich & Rowe, the pairing of John Rich and TV personality Mike Rowe, debut at No. 1 on Billboard‘s Country Digital Song Sales chart (dated Dec. 11) with “Santa’s Gotta Dirty Job.” The song debuts with 13,000 sold in the week ending Dec. 2, according to MRC Data.

“Those chimneys he goes climbing down ain’t exactly all that fun,” Rich and Rowe harmonize in the song. “But if he don’t do it, nobody will, so Santa’s gonna get the job done.”

Proceeds from the song, which also includes vocals from the Oak Ridge Boys, will benefit Folds of Honor, which provides scholarships to military families, and the mikeroweWORKS Foundation, which promotes apprenticeships. “[Folds of Honor] is doing amazing work with families of vets who didn’t make it back,” Rowe told Fox News. “We’re doing what we can at mikeroweWORKS, but putting this song out here … I know I speak for John, we’re both super grateful. Thank you.”

Rich, who has climbed Billboard charts since 2004 as half of Big & Rich, earns his third Country Digital Song Sales leader, following “Earth to God,” for a week in October 2020, and “Shut Up About Politics,” for a week in June 2019. The latter also has a TV tie-in, as it features The Five, a quintet of then-all-Fox News hosts.

The new single also bounds 5-1 on the all-genre Holiday Digital Song Sales chart and debuts at No. 35 on Hot Country Songs. It’s Rich and Rowe’s first leader on the Yule sales log, as well as Rowe’s first Billboard chart entry; he also enters Emerging Artists at No. 9.

The song’s title plays off two of Rowe’s best-known TV gigs: Dirty Job and Somebody’s Gotta Do It.

Like most Grupo Firme music videos, their new one titled “Cada Quien” with Maluma is giving us major FOMO.

The supergroup dropped their latest song Tuesday (Dec. 7) and teamed up with the Colombian star, marking the first time the norteño/banda group collaborated with an urbano artist.

“Cada Quien” is an unapologetic track where each artist chants about living life on their own terms and sends a message to all of those people who like to criticize and judge others: “To each his or her own!”

In the music video, filmed in Medellín, Colombia and presented by Music VIP Entertainment, Maluma and Grupo Firme are seen in a ranch while they sing and take shots straight from the bottle.

Firme’s Jhonny Caz told Billboard about how the collab came about, and how they didn’t think twice about the opportunity.

“We got a video from Maluma saying hello and asking when we’d work together. I mean, how could we say no to Maluma. We were thrilled and started coordinating everything. It all came together in a matter of days,” he said.

“Yes, we are collaborating outside of our style. We also recorded songs with Reik and Río Roma, but I’m always scared to go into another genre,” the group’s frontman Eduin Caz added. “I’m scared of losing our core fan base. That’s why sometimes I go onstage wearing an urbano outfit with sneakers, and other times, I’m wearing boots and a tejana [cowboy hat] so I can make everyone happy and they don’t get caught off guard when we sing with an urban artist. We’ve been very careful with those types of collaborations, and I trust in Isael (Firme’s manager) that we’re doing the right thing.”

Watch the music video for “Cada Quien” below.

SB19‘s “Bazinga” jumps from No. 8 to No. 1 on Billboard‘s Dec. 11-dated weekly Hot Trending Songs chart, powered by Twitter, leading for the first time.

The song reigns with 1.5 million Twitter mentions (up 67%) in the tracking week, which ran from Friday, Nov. 26 through Thursday, Dec. 2, and earns SB19 its first No. 1 on any chart.

The latest Twitter conversation around “Bazinga,” whose official video premiered Oct. 29, follows the group’s Nov. 29 performance of the song at the 34th Awit Awards, the annual honors bestowed by the Philippine Association of the Record Industry. SB19 was nominated for four awards and took home the trophy for Peoples’ Voice Favorite Song, for “Hanggang sa Huli.”

Billboard‘s Hot Trending Songs charts, powered by Twitter and sponsored Capital One, track global music-related trends and conversations in real-time across Twitter, viewable over either the last 24 hours or past seven days. A weekly, 20-position version of the chart, covering activity from Friday through Thursday of each week, posts alongside Billboard‘s other weekly charts on Billboard.com each Tuesday. The charts highlight buzz around new releases, award shows, festival moments, music nostalgia and more. Hot Trending Songs is unique in that it tracks what songs people are talking about, not necessarily what they’re listening to.

Before this week, BTS ruled the weekly iteration of Hot Trending Songs for the first six weeks of the chart’s existence, first with “Permission to Dance” (one week) and then with “Butter” (five). The septet places three songs in the latest top 10: “Butter” (No. 2), “Permission to Dance” (No. 3) and “Dynamite” (No. 9).

Stray Kids chart two songs in the weekly Hot Trending Songs top 10: “Christmas EveL” jumps 15-4 and “Winter Falls” debuts at No. 10. Both tracks appear on the group’s new EP Christmas EveL, released Nov. 29.

Plus, KAI’s “Peaches” debuts at No. 8 thanks to continued conversation following its release Nov. 30 on KAI’s new EP of the same name.

Keep visiting Billboard.com to check out the constantly evolving rankings, and check back Tuesdays for each weekly chart.

Adele keeps at No. 1 on the Billboard Artist 100 chart (dated Dec. 11), leading for a 14th total week thanks to the continued success of her latest album 30 and its lead single, “Easy on Me.”

The set spends a second week at No. 1 on the Billboard 200 with 288,000 equivalent album units earned, according to MRC Data. It debuted with 839,000 units, earning the largest week for an album this year.

Adele also places five tracks from 30 on the Billboard Hot 100, led by “Easy on Me,” which logs a sixth week at No. 1. New single “Oh My God” ranks at No. 37.

Michael Bublé jumps from No. 17 to No. 7 on the Artist 100 thanks to gains for his LP Christmas. The album, originally released in 2011 while a new 10th anniversary edition arrived Nov. 12, dashes 9-3 on the Billboard 200 (59,000 units, up 51%). Meanwhile, the set’s opening track, his version of “It’s Beginning to Look a Lot Like Christmas,” re-enters the Hot 100 at No. 20, a new high for the song and his first career appearance in the chart’s top 20.

The Beatles bound 40-10 on the Artist 100, fueled by gains for the group’s catalog following the Nov. 25 premiere of the Disney+ documentary The Beatles Get Back. The group’s Let It Be soars 80-19 on the Billboard 200 (27,000 units, up 124%) and Abbey Road jumps 71-36 (21,000, up 59%).

Bublé and The Beatles previously hit Nos. 3 and 2 bests on the Artist 100, respectively.

Plus, Aerosmith debuts at No. 95 on the Artist 100 (which began in 2014), as the rock vets’ live album 1971: The Road Starts Here enters the Top Album Sales chart at No. 19 (12,000 sold). The set arrived as a Record Store Day Black Friday release, initially available only on vinyl and cassette.

The Artist 100 measures artist activity across key metrics of music consumption, blending album and track sales, radio airplay, streaming and social media fan interaction to provide a weekly multi-dimensional ranking of artist popularity.

For all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram.

Cardi B hit up the club while in Miami after Art Basel wrapped, and she took a moment to speak up for a group of Black women who were allegedly not allowed into the club where she was scheduled to make an appearance on Sunday (Dec. 5).

In videos of the event — which since gone viral on social media — Cardi was spotted chatting with women outside of E11EVEN nightclub after the group told her the bouncers at the door were refusing Black women entry inside. The group of women said that the club was allowing white women to come inside and were purposely excluding Black women from entering the establishment. One of the women in the group claimed that her husband is a football player, and even she was not allowed inside though they had the means to purchase a table. Upon hearing the story, Cardi took matters into her own hands.

“Y’all gonna let the Black women in here,” Cardi was seen in the videos telling the club staff outside the venue. “Let the Black women in here… Security, let them in.”

After repeating the phrase to security a few more times, the staffers conceded and told Cardi that they would allow the Black women recording the video entry into the club after she entered. E11EVEN has not released a statement concerning the event; Billboard reached out for comment.

Cardi was recently appointed Playboy’s creative director in residence, and announced the news via Instagram last week. “Introducing the FIRST EVER Creative Director In Residence at the legendary @playboy, it’s ME!!!” she wrote. “Joining the @playboy family is a dream and I know y’all are going to love what we put together. I’m startin this party right as the Founding Creative Director and a founding member of CENTERFOLD the new creator-led platform from Playboy coming soon!!” she continued, adding, “We’re going to have soooooo much fun.”

See the videos from Cardi’s night out below.